Asociación Mestre Mateo
Retrato / imaxe local · Imaxe local na carpeta do proxecto / revisar dereitos se procede
Person · medieval

Mestre Mateo

Architect and sculptor · 12th century

Period
medieval
Place
Santiago de Compostela

Mateo’s project was not an isolated work: it turned the completion of Santiago Cathedral into an architectural, sculptural, liturgical and symbolic programme of enormous influence.

Master Mateo is documented in 1168, when Ferdinand II granted him a life pension connected with directing works at Santiago Cathedral. From that point a project unfolded that did more than complete a building begun a century earlier: it rethought the western front, access, liturgical experience and the relationship between architecture and sculpture.

The Pórtico da Gloria, built approximately between 1188 and 1211, is the best-known part of this programme. Its iconography, expressive figures and integration with the crypt and western tribune reveal a unified spatial conception. Mateo’s workshop brought together artists of varied backgrounds and introduced solutions anticipating an increasingly Gothic sensibility.

The second major intervention was the stone choir, installed in the first bays of the central nave. Conceived as a true 'temple within the temple', it structured ceremonial use of the space and developed an iconographic programme related to Mateo’s wider ensemble. The choir was dismantled in the early seventeenth century, but surviving pieces have allowed its structure and importance to be partially reconstructed.